my work spans musical instrument design, cognitive science, large-scale installation, AI research, composition, electrical engineering, and poetry.
i am a hertz fellow and steve jobs archive fellow.
i went to college at MIT, where i studied computer science, mathematics, music, and literature.
i'm currently a phd student at stanford.
from grief (for AI & live sewage), tiat gallery
i do not believe in separating my science, art, and engineering. they are lost children of the same great continent.
| 2026 | Two Sparrows [performance], Spatial Audio Gathering / Leeds, UK |
| 2026 | grief (for AI & live sewage), tiat Gallery / San Francisco, CA |
| 2025 | Two Sparrows, Transitions, Stanford Center for Computer Research in Music and Acoustics / Stanford, CA |
| 2025 | Future Finds, Bathers Library / Oakland, CA |
| 2025 | Accidental instruments: Finding expressiveness in desks, parks, and AI’s shortcomings, ICMC / Cambridge, MA |
| 2025 | A Computational Model of Human Vocal Imitation, CogSci / San Francisco, CA |
| 2025 | Sound and Language, MIT Museum / Cambridge, MA |
| 2025 | Melia: An Expressive Harmonizer at the Limits of AI, New Interfaces for Musical Expression / Canberra, Australia |
| 2024 | Sketching With Your Voice: "Non-Phonorealistic" Rendering of Sounds via Vocal Imitation, SIGGRAPH Asia / Tokyo, Japan |
| 2024 | melia [performance], Center for the Arts at MIT / Cambridge, MA |
| 2024 | Real-time In-browser Time Warping for Live Score Following, Web Audio Conference / West Lafayette, IN |
| 2021 | Étude, Marvin Hamlisch International Film Scoring Awards / Stamford, CT |
| 2021 | Hyperfest, Opera of the Future, MIT Media Lab / Cambridge, MA |
| 2020 | The KeyWI: An Expressive and Accessible Electronic Wind Instrument, New Interfaces for Musical Expression / Birmingham, UK |